{"id":125,"date":"2021-01-12T03:10:58","date_gmt":"2021-01-12T03:10:58","guid":{"rendered":"https:\/\/thefilmdoctor.com\/?p=125"},"modified":"2021-01-12T03:10:58","modified_gmt":"2021-01-12T03:10:58","slug":"glass","status":"publish","type":"post","link":"https:\/\/thefilmdoctor.com\/?p=125","title":{"rendered":"Glass"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Well, this is a big goddam disappointment. <em>Glass <\/em>is a sequel to both <em>Unbreakable <\/em>and <em>Split <\/em>and, since <em>Unbreakable <\/em>came out in 2000, M. Night Shyamalan has had 19 years to think about how to resolve this series (fun fact: <em>Split <\/em>was originally just a subplot in <em>Unbreakable<\/em>, but was cut from the script for length). And I was excited about what Shyamalan was going to do with this. In my review of <em>Split<\/em>, I said that \u201cI am honestly more interested in the movie that this sets up than I am in this movie.\u201d Sorry, 2017-me, but you are going to be mighty disappointed in 2 years. Of all of the possible ways to continue this series and expand on expand on this mythology, Shyamalan chose possibly the most boring route imaginable. And, regardless of how you feel about <em>Unbreakable <\/em>and <em>Split<\/em>, that is this film\u2019s biggest crime: It is just fucking boring.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The first 20 minutes are pretty much what I was hoping to get out of this movie. Bruce Willis\u2019 character from <em>Unbreakable <\/em>(now dubbed The Overseer) is hunting down James McAvoy\u2019s character from <em>Split <\/em>(now named The Horde). The Overseer tracks down The Horde, a battle ensues and I started wondering why all of this was happening inside the first half hour of the film. Damn short movie, perhaps. But no, they are both caught by police (even though they could have easily fought through them), arrested and taken to a mental hospital where they are joined by Mr. Glass (Samuel L. Jackson\u2019s character from <em>Unbreakable<\/em>). And this, boys and girls, is where this film falls to shit. The remaining 90 minutes are tedious scenes of the three characters being interviewed and studied by hospital staff until we finally get to a series of plot twists that should have even given Shyamalan pause.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Boring and asinine is not a formula for a good movie. Shyamalan seems so intent on making a \u201cgrounded\u201d superhero movie that he effectively reminds us why superhero movies would never work in the real world. This movie is so fucking meta that it doesn\u2019t even like itself. If his intent was to illustrate why this genre doesn\u2019t work in reality, then he succeeded. Yes, in real life people that think they have superpowers would end up in a mental hospital. That doesn\u2019t make it a compelling basis for a film, rather it\u2019s a reason why such stories should be removed from reality. Did you want to see The Overseer pitted in battle against Mr. Glass and The Horde? Well, fuck you because instead you are getting agonizingly long scenes of psycho-analysis where a psychiatrist tries to convince these characters that they are just delusional. That might even be compelling if they were, in fact, delusional. But they aren\u2019t. Why Bruce Willis doesn\u2019t just tear his handcuffs to prove his powers, I have no idea. Maybe that would deprive us of these riveting group therapy sessions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I\u2019m not going to give spoilers, but the ending of the film is just goddamn ridiculous. One plot twist is just contrived convenience and the last twist is such a stupid, desperate attempt to place this in a larger context that I was just dumbfounded by what I saw. If you are stealing a plot twist from<em> Halloween 6<\/em>, then you are fucking doing it wrong. I want to say much more but I also don\u2019t want to spoil things, so I need you to watch this for yourself and then we can discuss the ludicrous bullshit that is the last 20 minutes of this movie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As a saving grace, the performances are great all around. James McAvoy was the highlight of Split and the man\u2019s ability to switch between personalities is still an absolute marvel. Samuel L. Jackson is great, even if his character isn\u2019t given as much to do as he should, and even Willis doesn\u2019t appear to be phoning it in for the first time in years. The film also returns several supporting characters from both Unbreakable and Split. None of them have much to do and could easily have been written out of the film, but Anya Taylor Joy\u2019s presence is a highlight (she\u2019s a pretty, pretty lady). Sarah Paulson has the thankless task of playing the psychiatrist and her character grinds the film to a mind-numbing halt, but that\u2019s not the fault of her performance. Everyone here really is giving their best and seems to care about this material, it\u2019s just too bad that the material is such an insufferable bore.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I\u2019m not sure what Shyamalan was trying to do here. This movie is like a middle finger to people that were looking for a resolution to the previous films and an unnecessary lecture for people that like comic books. <em>Glass <\/em>is more of a study of the impracticality of superhero movies than it is a superhero movie. In other words, it\u2019s a film that doesn\u2019t need to exist because we know that superheroes couldn\u2019t work the same way in the real world. I didn\u2019t need this dull, pretentious diatribe to explain to me that superhero movies are just fantasy. <em>Glass <\/em>is a boring, cynical film that seemingly only exists to suck the fun out of its own genre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Image By: https:\/\/en.wikipedia.org\/wiki\/Glass_(2019_film)#\/media\/File:Glass_(2019_poster).png<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Well, this is a big goddam disappointment. Glass is a sequel to both Unbreakable and Split and, since Unbreakable came out in 2000, M. Night Shyamalan has had 19 years to think about how to resolve this series (fun fact: Split was originally just a subplot in Unbreakable, but was cut from the script [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":634,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5,7,4],"tags":[],"class_list":["post-125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-5","category-superhero","category-thriller"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/thefilmdoctor.com\/wp-content\/uploads\/2021\/01\/image-50.png?fit=220%2C329&ssl=1","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/posts\/125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=125"}],"version-history":[{"count":3,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/posts\/125\/revisions"}],"predecessor-version":[{"id":857,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/posts\/125\/revisions\/857"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=\/wp\/v2\/media\/634"}],"wp:attachment":[{"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thefilmdoctor.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}